January 4, 2008
In some respects, Danny Boyle is Britain’s answer to Steven Soderbergh – a filmmaker who moves effortlessly from independent to studio films and works in a variety of genres: gritty drug drama (Trainspotting), kids film (Millions) and edgy horror (28 Days Later). Like Soderbergh’s Solaris (2002), Boyle has tried his hand at science fiction with Sunshine (2007). It was critically lauded in England as a thinking person’s genre film but was met with mixed critical reaction in North America and lackluster box office.
Sometime in the far future, our Sun is dying. The Earth is in the grips of a solar winter and the only chance we have for survival is to reignite the star. A spacecraft called the Icarus II, with a crew of eight and carrying a nuclear bomb roughly the size of Manhattan, will hopefully kick-start the Sun and save humanity. On the way there, they pick up a distress beacon from Icarus I, an earlier expedition with the same mission but that had mysteriously disappeared en route. Do they alter their course and check out the ship in the hopes that they can use its bomb and thereby doubling their chances? The decision lies with the ship’s physicist, Dr. Robert Capa (Murphy) and it is one that will affect the entire crew in ways they can’t yet imagine. Through a series of intense situations brought on by unforeseen complications, there’s a real possibility that the Icarus II may not make it back alive and the characters have to realistically deal with this chilling realization.
Sunshine starts of as an intellectual science fiction film a la 2001: A Space Odyssey (1968) and then shifts focus to an engrossing mystery involving the Icarus I and shifts again to a slasher film reminiscent of Event Horizon (1997) for the last third. This last shift has drawn the most criticism from reviewers and does test the film’s credibility. Do the filmmakers really need to add even more danger for the protagonists to face? Isn’t the fact that they are heading straight towards the Sun with limited resources and crew challenging enough?
Sunshine does an excellent job showing the dynamic between the crew members and how it gradually breaks down when things go horribly wrong. Crew member turns on crew member and an oversight or miscalculation has catastrophic effects. The cast is uniformly excellent and refreshingly absent of big name movie stars. Instead, we get solid characters actors like Cillian Murphy (The Wind That Shakes the Barley), Rose Byrne (28 Weeks Later), Michelle Yeoh (Crouching Tiger, Hidden Dragon), and Cliff Curtis (Bringing out the Dead). Some of them are cast wonderfully against type and others, like Chris Evans, show previously unseen depth.
It is also nice to see the characters solving problems with reason and intellect that actually makes sense. That’s not to say that Sunshine is all brainy posturing. There is plenty of intense, visceral action that is emotionally draining much like Boyle did with 28 Days Later (2002). As he showed with that film and his debut, Shallow Grave (1994), he certainly knows how to ratchet up the tension.
This is also a visually impressive film as Boyle not only shows off the usual iconography of the genre – spacecraft, spacesuits, etc. – but doesn’t fall into some of the more tired clichés, like aerodynamically-designed spacecraft and evil computers. He also doesn’t telegraph who lives and who dies which gives the film an edgy unpredictability. At times, it feels like Sunshine wants to be the 2001 for the new Millennium but then the slasher film elements creep in and it resembles a more traditional thriller. It’s too bad because up to that point, Boyle’s film is a very smart, thought-provoking piece of speculative fiction.
There is an audio commentary by director Danny Boyle. He starts off by telling the genesis of the film. He also talks about how he got the actors to react convincingly to CGI effects that, of course, were not present on the set during filming. Boyle talks about the contrasting colour schemes of the inside and outside of the ship. He touches upon some of the research he did for the film and points out the parts that are based on fact. He speaks about the influence of Apocalypse Now (1979) on screenwriter Alex Garland, most notably, the presence of a Kurtz figure. Boyle speaks passionately about his film and packs this track with tons of information and observations.
Also included is an additional commentary by Dr. Brian Cox from the University of Manchester, who was a scientific consultant on the film. He talks about how he got involved and how the filmmakers wanted to get away from the typical scientist stereotype. He gave the cast lectures on scientific facts that their characters would know. Cox talks about the plausibility of the film’s premise and the psychology of people in long-term spaceflight on this very informative track.
There are 11 deleted scenes and an alternate ending with optional commentary by Boyle. There is lots of little business by crew members doing tasks around the ship. Boyle talks about what he likes about this footage and why it was ultimately cut.
Also included are 13 Web Production Diaries that are brief and cover all kinds of aspects of the film, from space suits to VFX. The cast and crew gush about working with Boyle in slightly tongue-in-cheek fashion, at first, and then speak genuinely admiringly about him. We see the cast experience zero gravity. Cillian Murphy talks about his character and some of the research he did for the role.
Finally, there is a theatrical trailer for the film.