L’Eclisse: Criterion Collection
June 26, 2014
In an essay included in the accompanying booklet, Jonathan Rosenbaum points out that Michelangelo Antonioni’s L’Eclisse (1962) was the final film in a “loose trilogy about Eros, art, business and emotional alienation in the contemporary world.”...
All That Heaven Allows: Criterion Collection
June 9, 2014
During the 1950s, Douglas Sirk directed some of the most popular Hollywood melodramas, but was maligned by critics of the time. It wasn’t until years later when the Cahiers du cinema critics re-evaluated Sirk’s body of work and argued that he was...
